1.Joy, 2007 Computer graphics Pigment Inks on archival Canvas 40x40 IN. US$ 500    2.Poise, 2007 Computer graphics Pigment Inks on archival Canvas 40x40 IN. US$ 500    3.Blush, 2007 Computer graphics Pigment Inks on archival Canvas 40x40 IN. US$ 500    4.Charm, 2007 Computer graphics Pigment Inks on archival Canvas 40x40 IN. US$ 500
 

Twelve years ago I was introduced to the computer, and as soon as I discovered the potential of the digital tool, I decided that I would not like to try and make a digital oil painting, a watercolor or even a wood cut. Nothing could substitute for the beauty of the real thing! I started investigating the possibility of taking advantage of what the programs written by special programmers could give me. And starting from a gradient, a photograph, a doodle or even sometimes a fractal, and transforming them with the use of filters, I develop, most of the times, abstract compositions. I like abstractions and non objective works. The reason is that I like the viewer to look at my work and feel, through his eyes, what a piece of music would make him feel by listening to it, through his ears. Too often, people looking at a painting get side tracked and miss the real message. In my experiments with Adobe Photoshop and its Filters I discovered that the KPT 5 Frax 4D allowed me to mold a shape and make it into a sculptural form. I worked at it and my “Impossible Sculpture” was born. I enjoy work. I think it is the greatest blessing we humans have been given. I try to make every minute count. I think it is a shame that we have to sleep so many hours and wish we had the possibility of canning the time so many people waste and use it for ourselves!