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Béla Czitrom

 



 

 

 

Contact
Czitrom Béla
Puutarhakatu 46 e 43
SF-20100 Turku
Finland
+358 405664186
+358 2 2584 201

Béla Czitrom  is living and working in Turku, Finland

Technique
Sculpture, Drawing,
Installation, Object,  Medial Art

Representated by
Artoteque  www.artoteque.com
Art Addiction Medial Museum www.artaddiction.net

ArtTur: www.icenet.fi/arttur/cat/czitrom.htm

Membership
[AAMAA] Art Addiction Medial Art Association www.artaddiction.net

Arte Finland
Artists' Association of Turku, Finland
Association of Finnish Sculptors, Finland

Résumé / CV
He was born in Transylvania..
He studied at the Academy of Fine Arts "Ion Andreescu" of Cluj-Napoca, the Sculpture Departament.
26 one man shows
Inclussions to 7 Editions of Dante Alighieri Biennale, Ravenna, Italy
More than 100 group exhibitions in Finland, Hungary, Romania, Italy, France, Sweden, Great Britain and many more ...

Awards
1988: Gold medal for participation at the Dante Alighieri biennale, Ravenna, Italy
1998: Certificate of Merit, The 1st Autumn Annual in Venice, Palazzo Correr, Venezia, Italy

Art Syymposiums / Art Camps
Braila, Romania - stone
Cimpulung, Modovenesc, Romania -1 stone Szeged, Hungary - drawings
Constanta, Romania - ceramics
Books and Art magazines
World of Art, the global contemporary art magazine 2000, 2001, 2003, 2004
Art Addiction – 100 Contemporary Artists. Art book edited by World of Art Books, Edition 2003
Art Addiction – 100 Contemporary Artists. Art book edited by World of Art Books, Edition 2004

Review
I’m interested in exploring the human soul, especially the dark side of it. I feel that the deeper I dig in it, the more gold I find. I want to bring out into the light the secret, hidden parts of the mind; the parts that people often try to avoid looking at. I believe, however, that the universe is made of a kind of an absolute equilibrium: if there exists darkness, there must be light, too. Now, on the threshold of the new millennium I have made in my working a move from the bidimensional to the three-dimensional, and I also feel having made qualificational progress as well. For me, all this means a revolution and a beginning of a new period in my working.


1.

bronz Sculpture 2001

variable size

US$ 12,990 
€uro 10,980


 


2

bronz Sculpture 2004

variable size

US$ 12,990 
€uro 10,980


3

bronz Sculpture 2001

variable size

US$ 12,990 
€uro 10,980


4

bronz Sculpture 2001

variable size

US$ 12,990 
€uro 10,980


 

 


5

bronz Sculpture 2001

variable size

US$ 12,990 
€uro 10,980


6

vax Sculpture 2001

variable size

US$ NFS
€uro NFS

 



7

bronz Sculpture 2001

variable size

US$ 12,990 
€uro 10,980


 

 


8

bronz Sculpture 2001

variable size

US$ 12,990 
€uro 10,980

 

 


9

bronz Sculpture 2001

variable size

US$ 12,990 
€uro 10,980

 


10

bronz Sculpture 2001

variable size

US$ 12,990 
€uro 10,980


 

 


11

bronz Sculpture 2001

variable size

US$ 12,990 
€uro 10,980


 


12

bronz Sculpture 2001

variable size

US$ 12,990 
€uro 10,980


 


13

bronz Sculpture 2001

variable size

US$ 12,990 
€uro 10,980

 


14

bronz Sculpture 2001

variable size

US$ 12,990 
€uro 10,980


15

bronz Sculpture 2001

variable size

US$ 12,990 
€uro 10,980

 

Also the impression of me as a part of the universal art has lately become stronger, and this is something that any adversities can’t wipe off. The thematic of Dante Alighieri’s Ulysses have always interested me. Ulysses wanted to get to know the world and in spite of all the misfortunes he had he preferred to continue from returning home to his Penelope, as he knew this was destined to him. He went and passed the Pillars of Hercules although he knew this would lead him to his death. Like Ulysses I want to follow my own destiny. Even if it were possible to change the way of my life easier and happier I wouldn’t do that, as I feel this destiny of mine is my “goldmine”. Thought it can be difficult, even frightening, I want to collect these experiences, explore life, and then return all I’ve found back to the world, passed through my own personality.